It's my firm belief that the familiar swing of jazz – as we understand it today – came to us from the Tom Pendergast's Kansas City of the 1930s. Specifically, from the men and women who created an original sound in the city's many night clubs, dance halls, speakeasies and dives. Four beats to the measure never swung so hard.
Here's impresario Gene Norman with a couple of wannabe starlets, digging the sounds of our offering for this posting. A typical period pose from the editors at Down Beat magazine. |
You hardcore collectors certainly know that all these tunes are available elsewhere – especially the familiar Basie numbers. But having them all in one place is a treat. You get a real feel for KC's hotbed musical environment. The two titles by Mary Lou are fairly obscure and feature terrific work from Shorty Baker (pre-Ellington, of course) and driving solos from long-forgotten Andy Kirk tenor star, Dick Wilson. Ms. Williams herself is in full command of the keyboard and her arrangement of "12th Street" occasionally foreshadows the developments of bop several years hence.
Gems' copy of the original release is a little worse for wear. We opted to use the LP version for the upload. |
Then there's Eddie Barefield's unattributed clarinet on "South" with Lips Page's pick-up band. That coupled with the leader's muted trumpet solo and Don Byas' still-developing tenor sound make the tune a classic. Pete Johnson's band rollicks through a tune named for the Kansas City Colored Musician's Union, Local No. 627, with the cast the same as for Lips' titles. Great Don Stovall here. Roll 'em, Pete!
The standout for this posting has to be the rare Durham sides. Not only do we get Eddie's advanced electric guitar work, but Buster Smith demonstrates why Bird's sound was compared to his in Parker's early days. And catch the soli toward the end of "Little Girl" – fabulous Durham writing and very tight playing by the guys.
Note that the liner notes for this LP refer to its selections as "dance compositions." Exactly right. This was music to move your feet to, and if you're like me your toes will be tapping. This is the music that taught the rest of the jazz world to swing. Mixed in, of course, were some of the greatest jazz statements by some of the music's greatest practitioners. You only have to catch the bookended solos by Hershel Evans and Prez on "Doggin' Around" to understand that.
So, download and roll back the rugs! As always, these tunes were ripped from the original vinyl with, in this case, no cleaning of the sound.
The standout for this posting has to be the rare Durham sides. Not only do we get Eddie's advanced electric guitar work, but Buster Smith demonstrates why Bird's sound was compared to his in Parker's early days. And catch the soli toward the end of "Little Girl" – fabulous Durham writing and very tight playing by the guys.
Note that the liner notes for this LP refer to its selections as "dance compositions." Exactly right. This was music to move your feet to, and if you're like me your toes will be tapping. This is the music that taught the rest of the jazz world to swing. Mixed in, of course, were some of the greatest jazz statements by some of the music's greatest practitioners. You only have to catch the bookended solos by Hershel Evans and Prez on "Doggin' Around" to understand that.
So, download and roll back the rugs! As always, these tunes were ripped from the original vinyl with, in this case, no cleaning of the sound.
Kansas City Jazz
Various GroupsPersonnel listed in download
Decca DL 8044
Pete Johnson's Band
November 11, 1940
1. 627 Stomp
Joe Turner and His Fly Cats
November 11, 1940
2. Piney Brown Blues
Mary Lou Williams and Her Kansas City Seven
November 18, 1940
3. Baby Dear
4. Harmony Blues
Andy Kirk and His Clouds of Joy
November 7, 1940
5. The Count
6. Twelfth Street Rag
Hot Lips Page and His Band
November 11, 1940
7. South
8. Lafayette
Count Basie and His Orchestra
August 9, 1937
9. Good Morning Blues
10. Doggin' Around Eddie Durham and His Band
November 11, 1940
11. Moten's Swing
12. I Want a Little Girl
Great stuff, thank you!
ReplyDeleteThank you very much.This music is full of life.I really learn from and enjoy your blog.
ReplyDeleteThanks for the kind words, unit. I take it by your handle that you're a Cecil fan? Somewhere I have a tape of Cecil Taylor and the Unit performing in Chicago -- and Von Freeman's in the audience shouting insults at him! He'd opened for the Unit, and I guess he didn't like what he was hearing.
DeleteThis is a fantastic collection! Thanks for posting it for all to appreciate. And love the Cecil Taylor/Von Freeman recollection!
ReplyDelete