How often do you get to live near greatness? And not know it? Not too often, I suspect. In my case, out here in the far-flung Catskills, it happens more often than you might think. Pianist Hal Galper lives in the county. Kenny Werner, too. Guitarist and composer James Emery also lives nearby. Bill Mays plays his piano just across the Delaware in Pennsylvania. Hugh Brodie used to call me regularly from his home in the county seat, Monticello. My good friend, drummer Thurman Barker, lives in the town right next door to mine. There are many other refugees from the New York jazz scene in these rural hills, and at one time or another I've had the privilege to get to know most them.
But one I missed. His name was George Handy, and he was a noted composer and arranger in the 1940s and '50s. He's probably best known for his work with the progressive Boyd Raeburn Orchestra and then for his singular contribution to producer Norman Granz's landmark recording, "The Jazz Scene" (also offered here on Gems). He had a tempestuous relationship with the music biz and made only a few recordings while he was still active in New York and Los Angeles. One of those is featured with this posting.
George bailed on the industry for good in the late 1950s, settling eventually in upstate New York. He chose the Catskills because there was, at the time, a vibrant hotel scene with thousands of tourists and plenty of work for musicians who had tired of the New York City rat race. Handy worked in near anonymity in world class resorts like Grossinger's, Brown's and Kutsher's. He played piano in pit bands, doing arrangements as needed for whatever acts were appearing.
I was told about George Handy by other musicians I met not long after moving here myself. "You should talk to George," they all urged. But somehow, even after I started doing my jazz radio show, I never got around to it. And then, in 1997, I heard George had died. An opportunity missed, for sure.
But why did Handy opt out of the big music world just 120 miles to the south? I asked a friend, a reed player who worked in the hotel bands with George, and he said it was the usual story, one often told about musicians from Handy's era. Apparently George had picked up a habit, as so many did, and it made him unreliable. He likely moved to the sticks to regain his health.
|Dave Schildkraut, looking quite natty.|
This record was a thrift shop find and looked funky. But, as you'll hear, the sound is quite good – very little cleaning was required. Recorded, as always, from the original "X" label vinyl, crew. Enjoy!
RCA "X" LXA-1004
Handy, p, comp, arr; Ernie Royal, tp; Kai Winding, tbn; Dave Schildkraut, as; Allen Eager, ts; Danny banks, bar; Vinnie Burke, b; Art Mardigan, d.
Webster Hall, New York, NY; August 16, 1954
2. A Tight Hat
7. Lean To
10. Crazy Lady
Find it here: http://www.mediafire.com/download/8d2uvobcsfdcn24/handyland.rar