2-Beat Two-fer

Quintessential Chicagoan Eddie Condon at Eddie Condon's in New York, probably in October 1946. Clearly a bebopper has just entered the joint. Photo by William Gottlieb

When I started this blog a while back, I never thought I'd be posting so much moldy fig material! But one thing leads to another, and one rip inspires a second (and a third). So here's another Chicago jazz offering. My partial excuse is that this upload comes as a response to a request from the good Sir Baron.

Baron saw the cover of the Hodes Blue Note EP in the collection video and asked if I could add it to Gems. I'm more than glad to do so, but I felt its paltry four tunes weren't enough to merit the full CD treatment. So I looked through the stacks and came up with a second Chicago jazz EP, one that fits perfectly with Art's session. It's got Eddie Condon, Gene Krupa, Jess Stacy, Jack Teagarden, Boyce Brown, Max Kaminsky and a raft of other trad blowers. Not bad stuff, either.

So here they are. The rips come from the original vinyl, of course, with a slight cleaning of the sound. A caveat regarding "Reincarnation" and "Nagasaki", though: an audible scratch runs through a good portion of each tune. Not terrible, but you can hear it. Also, there's no back cover image for the Hodes disc because it is completely blank.

Chicago Jazz • The Best in 2-Beat

Art Hodes and His Chicagoans
Hodes, p; Max Kaminsky, tp; Ray Coniff, tbn; Rod Cless, cl; Jack Bland, g;
Bob Haggart, b; Danny Alvin, d. New York, NY; March 18, 1944; Blue Note 403

1. Maple Leaf Rag
2. She’s Crying for Me
3. Yellow Dog Blues
4. Slow ’Em Down Blues

Miff Mole and His Little Molers
Red Nichols, tp; Miff Mole, tbn; Frank Teschemacher, cl, as; Joe Sullivan, p; Eddie Condon, g, bjo; Gene Krupa, d. New York, NY; July 28, 1928; Columbia B-482

5. One Step to Heaven
6. Shim-Me-Sha-Wabble

Eddie Condon and His Footwarmers
Condon, g; Frank Teschemacher, cl, as; Joe Sullivan, p; Gene Krupa, d. New York, NY; October 30, 1928; Columbia B-482

7. Indiana

Condon, g; Jack Teagarden, tbn, v; Mezz Mezzrow, cl, v; Joe Sullivan, p; Artie Miller, b; Johnny Powell, d. New York, NY; October 30, 1928; Columbia B-482

 

8. Makin’ Friends

 
Paul Mares and His Friars Society Orchestra
Mares, tp; George Brunies, tbn; Omer Simeon, cl; Boyce Brown, as; Jess Stacy, p; Marvin Saxbe, g; Pat Pattison, b; George Wettling, d. New York, NY; January 7, 1935; Columbia B-482 

9. Reincarnation
10. Nagasaki
11. The Land of Dreams
12. Maple Leaf Rag

Find it here: http://www.mediafire.com/download/n6tlc3cz7gzf20o/2_Beat_Jazz.rar

Chicago Jazz

"Chicago Jazz," a 1952 rareity on Decca, looked like this had happened to it when I found it a rain-soaked carton of disco singles at the Revere Drive-in Flea Market north of Beantown a decade ago. I'll never understand why some folks seem to get real pleasure out of mistreating records. Photo illustration by Gems of Jazz

The recordings that I post here on Gems are, as frequent visitors know, ripped from the original vinyl or shellac. I try not to fool with the sound beyond getting rid of the most egregious pops and clicks. That's not to say that the sound is funky on these offerings – quite the opposite. If you've availed yourself of any of them, I think you'll agree they pass muster sonically.

That said, this latest upload is an exception.

"Chicago Jazz," an LP issued from 78 rpm discs that were released by Decca in April 1940, attempts to recreate jazz from the post-King Oliver period when a bunch of high school kids – white kids – adapted Papa Joe's New Orleans-style jazz to their own purposes. Called the Austin High Gang, these roustabouts adored the two-beat ensemble style that was played at the Lincoln Gardens on Chicago's South Side. They were truants with a single purpose – to play music like the King and his protege, Louis Armstrong.

By 1939, the Chicago style of jazz propagated by the Austin High crew was old hat, yesterday's news. But a young producer and jazz fan, George Avakian, felt that contemporary audiences needed to hear it in all its glory. So he organized a series of sessions for the Decca label specifically to recreate its hoary style. His efforts not only resulted in a fine series of jazz recordings, they also sparked a minor revolution in the jazz industry.

Seeing that there was a burgeoning market for classic jazz styles and historic recordings, Columbia, Victor and other record companies began reissue programs. Soon discs that long unavailable – fabulous sides by Armstrong, Oliver, Ellington, Jellyroll Morton and countless others – could again be found in local record stores.

This is the record album (or at least the LP version) that started it all. And as such, it's a natural candidate for a Gems posting.

Trouble is, the LP is in horrible – and I mean horrible – condition. It's something I would never have dreamed of uploading here. Until a bit of serendipity intervened, that is.

I recently acquired a nearly complete set of Jazz Information magazines. This publication was short-lived – around for only two years – but it is credited with being one of the first music publications to concern itself exclusively with jazz (Down Beat was more of a pop music rag at the time). It is usually credited to Ralph J. Gleason, later the influential critic for the San Francisco Chronicle and jazz publications, but it really was the brainchild of one Eugene Williams (Gleason was relegated to an associate editor after half a dozen issues).

In one of the issues of JI was a lengthy review of the sides waxed for the "Chicago Jazz" album. When I saw that, I decided I had to post the LP, scratches be damned! Here's the complete JI review from April 1940:

I've done considerable work to clean up the record's pitiful sound and though there are crackles here and there, one can now hear the music clearly. And great playing it is – especially the Bix-like trumpet work of Jimmy McPartland and the unusual alto sound of Boyce Brown, a stylist without antecedent (at least, to these ears). If you're in downloading doubt, here's a sample of the quality you'll get (Jimmy McPartland's "Sugar"):

Chicago Jazz, Decca DL 8029

Full personnels, dates are icluded in download.

Eddie Condon and His Chicagoans

New York, NY; August 11, 1939
1. Nobody's Sweetheart

2. Friar's Point Shuffle

3. There'll Be Some Changes Made

4. Someday Sweetheart

Jimmy McPartland and His Orchestra

Chicago, IL; October 10, 1939

5. China Boy

6. Jazz Me Blues

7. Sugar

8. The World Is Waiting for the Sunrise

George Wettling's Chicago Rhythm Kings

New York, NY; January 16, 1940

9. Bugle Call Rag

10. Sister Kate

11. Darktown Strutter's Ball

12. I Found a New Baby

Find it here: http://www.mediafire.com/download/yuqn6idopb49h98/Chicago_Jazz.rar